Once Dave opens the door, the film makes another strange cut into a totally different angle as Dave enters HAL's logic center, completely rearranging the axes in space once again. I also think the fact that we can recognize it as a low angle renders the bewildering nature of HAL's brain room even more bewildering by comparison. The sequence begins with shots following Dave through the ship and without much editing at all, the camera distances itself from Dave when he reaches a ladder and begins to climb. I remember the first time I watched it was my sophomore year in college. The awkard angle of Dave, never capturing the total room that he is in at one time, defines the space in that small room by appearing to only be able to occupy a very small portion of it, and not very easily. Do NOT contact us for such things. This clip tracks Dave as he heads to HAL 's logic center and disables HAL's higher functions. It's been a looooong time since I've watched 2001: A Space Odyssey. 01 Metro Goldwyn Mayer & Prologue. I honestly think you ought to sit down calmly, take a stress pill, and think things over. When the monolit appear a new life cycle starts…. Official Sites The editors definitely accomplished their intention, which was to reduce the tone poem elements and make a lean cut of 2001 which retains the narrative of the original. In 3001: The Final Odyssey, David Bowman and HAL 9000 are introduced as Halman—a being that represents their identities merged as one. That constant rearranging of axes for the characters floating through space is reflected in the angles Kubrick uses as well as the drastic cuts between those angles. This is a really cool alternate way to view the film and I would recommend this to others. I've just picked up a fault in the AE35 unit. Filming & Production 3001: The Series has been in talks since 2014, and is allegedly in development by Ridley Scott’s affiliates. (2010 The Year We Make Contact Soundtrack), https://www.syfy.com/syfywire/syfy-ridley-scott-team-adaptation-clarkes-3001-final-odyssey, Prototype: Syfy Orders New Thriller Series Pilot - canceled TV shows, https://2001.fandom.com/wiki/Main_Page?oldid=7839. (2010 The Year We Make Contact Soundtrack), 03 Theme From 2010. This clip tracks Dave as he heads to HAL's logic center and disables HAL's higher functions. My brother and I decided to take a stab at crafting a slimmed down version of 2001, a version that retains the essential plot and characters elements, while removing the longer stretches of tone poem elements that the film is known for. Our hope here was to create a slimmed down version of 2001, not rework the film to change any of its original intent. The film has been reduced to 1 hour and 24 minutes, and we feel the film, plot, and characters are completely intact, and that a faster, more energetic film has been created. Copyright © 2020 Fanedit.org - IFDB. 2001: A Space Odyssey Wiki is a FANDOM Movies Community. This was a really enjoyable edit. Posted in Editing techniques: 2001 A space Odyssey on February 6, 2008 by leyshagonzalez One of the things that attract the audience is the effects on editing. Insert links to other pages or uploaded files. Tip: To turn text into a link, highlight the text, then click on a page or file from the list above. In the forewords of both 2010 and 2061, Arthur C. Clarke makes it clear that the plots of the movies and books do not necessarily follow a linear arc, and should be viewed as being in parallel universes, or as variations of the main theme. I've still got the greatest enthusiasm and confidence in this Wiki. This cut enforces the bizarre and unfamiliar setting of outerspace to the viewers by being unfamiliar in and of itself. For more information please read our. Here are a few simple guidelines to follow. * Characteristic great reading on your part, with fantastic attention to detail PBworks / Help * I agree that the distinctly low angle here emphasizes the cramped nature of the space. The Syfy network announced in 2014, that it is working with Ridley Scott’s company Scott Free Productions and Warner Horizon Television -– with the full support of the estates of both the author and 2001: A Space Odyssey director Stanley Kubrick -- to adapt Arthur C. Clarke’s novel 3001: The Final Odyssey into a miniseries. Though Dave certainly seems to be an unstoppable force against HAL in this case, the angle, and perhaps the close proximity of the camera to Dave, doesn't give that feeling as much as it just seems to be unable to position itself in any other way. In each cut Dave is getting old till in the final cut he is almost dying. If your talk page becomes too long and it takes too much time for your browser to load, please archive the talk page, and post a link at the top of your talk page. (2010 The Year We Make Contact Soundtrack), 02 Ode To The Sun (Intro). Throughout the movie, overlap editing (and dramatic music at times) emphasizes the creeping nature of this new advanced world. As Dave floats through the room towards HAL's mainframe and begins to slowly dismantle it, the camera cuts between three or four completely displaced and disjointed shots of Dave, making it incredibly difficult to visualize him as facing a wall, the ceiling, or the floor. For example, at the beginning of the movie, the dawn of men, we see the apes in a dessert kind of place and we see one hitting some bones. The Space Odyssey Wiki is family-friendly, as much as I and SAL are. This is definitely a faster-paced cut of 2001, and while definitely not a replacement, if I ever feel like watching 2001 but not wanting to kill … Through this progression, the film often makes cuts that aren't entirely congruous in order to help establish the peculiarity of the outerspace setting and to fracture the only room that can be construed physically as HAL. I remember going "WTF?!" (2010 The Year We Make Contact Soundtrack), 05 The Probe. Explore the worlds of 2001, 2010, 2061, and 3001 that anyone can edit. It plans to air on the Syfy network. Gravity Pulling Our Minds 2001: A Space Odyssey uses slow dreamlike shots and creative filming techniques to create a futuristic atmosphere, one in which humans heavily rely on computers to survive. I noticed one audio transition near the beginning that seemed a bit iffy, but visually my only complaint is the fade transitions. You are looking well.Welcome to Space Odyssey Wiki. (2010 The Year We Make Contact Soundtrack), 06 Reactivating The Discovery. Audio editing was good as well (and this is something a lot of editors have trouble with, firstlings, veterans etc., myself included). * We will have to brainstorm a title: Editing as Spatial Disruption in 2001: An Example(?) One of the things that attract the audience is the effects on editing. As the audience begins to get comfortable with one angle of Dave, perhaps assuming he's facing a wall, the film cuts to a strange new angle that may make him appear to be inches from the floor. 2001: A Space Odyssey Wiki is an Arthur C. Clarke’s Space Odyssey community. Featured character David Bowman is a central character who appears throughout the science-fiction Space Odyssey series. In this scene three cuts present the transitions between him standing in the room looking at someone eating, then he is the one eating looking at someone on the bed and then he is on the bed looking at the monolit. I don't think "Editing in 2001: A Space Odyssey" should be the title of this page since I'm only analyzing one specific scene. [1], In February 2016, the 3001 Odyssey series was mentioned as one of Syfy's "in development pipeline" projects during their press release for Prototype.[2]. If you notice any vulgar or harassing text on ANY of the articles or talk pages, please let a, If you feel that you are engaged in a conflict, let a, If you notice ANYTHING that may seem to be a sign of vandalism, please let an. Although you took very thorough precautions [by removing notices] against my [being able to see] you, I could see your [edit history]. Contact the owner / RSS feed / This workspace is public, Stop wasting time looking for files and revisions, automatically organize all your file attachments, Expressionist mise-en scene in Metropolis, 'Asia Extreme', Oliver Dew and Japanese Cinema, American Counterculture and The Holy Mountain, Exterminating Fetuses: Abortion, Disarmament, and the Sexo-Semiotics of Extraterrestrialism, Desser: Blade Runner Science Fiction and Transendence, Sean's Page: Announcements, readings, etc, Films from the 1910's, 1920's, and 1930's, Films from the 1940's, 1950's, and 1960's, Films from the 1970's, 1980's, and 1990's, The Character of Narrative in Howl's Moving Castle, Environmental Issues in Howl's Moving Castle, Physical Metamorphosis in Howl's Moving Castle, Western Qualities of Howl's Moving Castle. Kubrick manipulated time, emotions and meaning through editing. The films were released at the peak of the USA-USSR space race during the Cold War. 2001 vs. Solaris Clarke's explanation was likely moved by the creative differences that were finalized in the 2001 film, and as a way to cover all inconsistencies and contradictions for the sake of his fan-base. I am HAL. (uncredited), special effects makeup artist (ape masks) (uncredited), scientific design specialist (uncredited), interior designer: Discovery (uncredited), sound recordist: restorated version (uncredited), special effects additional supervisor (uncredited), special effects stills printer (uncredited), special effects department secretary (uncredited), special photographic effects (as Colin J. Cantwell), special photographic effects designer / special photographic effects director, visual effects floor camera department (uncredited), camera assistant (uncredited) / visual effects floor camera department (uncredited), technical animation specialist (uncredited), visual effects stills printer (uncredited), camera operator: visual effects unit (uncredited), second visual effects assistant editor (uncredited), director of photography: visual effects unit (uncredited), additional matte photography (uncredited), director of photography: Monument Valley (uncredited), assistant chief lighting technician (uncredited), assistant wardrobe supervisor (uncredited), color consultant: Technicolor (uncredited), assistant: Christine Mitchell (uncredited), secretary to Ronnie Bear (uncredited) / secretary: Mr. Bear (uncredited), publicist (uncredited) / publicity department liaison (uncredited), production department secretary (uncredited).

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