The earliest AKG C414s roughly resemble the mics we all know and love, but are a tad noisy by the standard of later versions. It lacked a transformer – hence ‘TL’ or Transformerless – for lower noise. The unrivaled up-front sound is also well known for distant miking applications like classical music recording or drum ambiance miking. The AKG C12A is, in my opinion, the most underrated and best value classic tube mic around. own branded) mics from AKG. We noticed that you already have products in your cart. More rounded than the traditional AKG C12A, AKG C412 and AKG C414s, these are the latest/current versions of the classic range and feature nine selectable polar patterns via a switch on the mic body. The AKG C414 XLII is ideal for recording lead vocals and solo instruments in the studio and on stage. The AKG C414 XLS Reference multipattern condenser microphone has become the industry standard condenser microphone and can be found in most recording studios, ideal for vocals, overheads, string, concert hall and brass and is an essential addition to any microphone collection. Like tubes, make sure you select a quiet example. What is the difference? Seeing these frequency charts those mics seem to be the same sound wise. The AKG C12 Capsules were made by hand and were far more intricate than those fitted to equivalent Neumann mics in the 1950s (Neumann U47 etc), incorporating more than 120 individual parts. The Flea 12 Tube Microphone is far and away the closest thing to an original on the market and costs around one third of originals but offers the same sparkling mid-range boost a clear, crisp yet ‘warm’ sound with a slight midrange boost that brings vocals alive, especially female vocals. Ah, suffer the little children for they know not what they do…. 49 . The stand mount adaptor has gone, with connection by a standard XLR directly into the body of the microphones, making it more compact. FETs claimed to offer better noise figures than tubes and were deemed more reliable. I'm not a rich person and I will probably never own a 5,000 dollar microphone, I bought mine for $745.00 and I think was a good deal for the money! Resources Home : Sound Bites : Sound Bites: A Very Rough Guide to the AKG C12/C414, Dr. Rudolph Goerika and Ing. These are colloquially known as ‘brass’ capsules due to the brass housing, although the coating of the capsule itself is sputtered gold. +1 for XLS. The matched pair brings the classic AKG C414 XLS consenser mics to a stereo application. It shows the unique sonic signature of the highly sought-after AKG C12, which enables lead vocals and solo instruments to be placed even in a dense mix. View the AKG C12A tube condenser microphone Classic Brochure. The C414 looks identical to the C412, incuding the ‘cone’ mount but now featured a four position pattern switch on the body. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. NuVista tubes are often accused of being noisy, but I’ve never suffered a problem with them. AKG C414 XLII. The AKG C414 XLII is ideal for recording lead vocals and solo instruments in the studio and on stage. I’ve often seen AKG C451 mics badged Revox and once saw a matched pair of C12s with Revox logos. All about the tools and techniques involved in capturing sound, in the studio or on location. Although we still get occasional original AKG C12 mics, they’re become rare and extremely expensive as owners don’t want to part with them. AKG cite 15 improved features, though one of these relates to the depth of engraving and the colour of the infill, so clearly some are of more importance than others! The AKG C414 XLS has become the industry standard condenser microphone and can be found in most recording studios, ideal for vocals, overheads, string, concert hall and brass and is an essential addition to any microphone collection. Whether or not this maze of components could improve the sound quality, would be food for thought. € 114,99. In 1953, AKG introduced the C12 tube microphone, designed by Konrad Wolf. Web site designed & maintained by PB Associates & SOS. Re: Revitalising Arkieboy's 1979 Gibson "The SG&qu... Re: iZ RADAR Studio and the return of the PC, Revitalising Arkieboy's 1979 Gibson "The SG", Use of reverb and delays in '50-'60s jazz records. I have the XLS which I bought specifically as a general purpose instrument mic with a flat response, and it has proved to be very useable in most situations - and I have used it on vocals too once or twice. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Besides that there's also a peak hold led and all the settings are saved so even if you disconnect the mic the next time it will automatically revert to the last used settings. Youtube. The 412 looks exactly like the C12A (the AKG C12A was, of course, silver) and has the same conical stand mount adaptor. Particularly popular in the States, the AKG C414 TL-2 was marketed as a vocal version of the B-ULS. The electronics took on a highly complex design. The AKG C414 XLII/ST matched pair of multipattern condenser microphones reproduces the sound of the classic AKG C12. I've hired a C414 XLII for some acoustic guitar and vocals recording. Similar in appearance to the original C414, the EB now boasted an addiitoinal three position pad switch on the body and a more reliable XLR connector. € 1.412. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. To wrap up this review, the AKG C414 XLII is a great all-around microphone. Europe's Largest Stockists of New and Used Professional Audio Equipment. When I visited the AKG factory in Vienna, I was told that the design was in part due to the fact that Telefunken wanted a more compact microphone than either the Neumann U47 or AKG C12, which tended to cast shadows when used for film and television recording. I have the XLII, I like it, but people keep saying negative things about it. The highly sensitive AKG C414 XLS Matched Pair Condenser Microphones offer a choice of nine polar patterns for the perfect sonic capture for a wide range of recording applications. You may login with either your assigned username or your e-mail address. Sound Bites: A Very Rough Guide to the AKG C12/C414, View our range of Condenser Microphones for Sale, View our latest Used and Vintage Gear List, AKG C414 XLII/ST Matched Pair Condenser Microphones, AKG C414 XLS/ST Matched Pair Condenser Microphones, AKG C414 XLII Reference multipattern condenser microphone, AKG C414 XLS Reference Multipattern Condenser Microphone. To quote the excellent guide on Ashley Styles website…. by Hugh Robjohns » Mon Jun 21, 2010 9:49 am, by Jack Ruston » Mon Jun 21, 2010 11:22 pm, by Matt Houghton » Wed Jun 23, 2010 12:34 pm, by Lodmoor Studios » Wed Jul 14, 2010 11:40 pm, by Lodmoor Studios » Thu Jul 15, 2010 1:02 am, by James Perrett » Thu Jul 15, 2010 5:09 pm, by Lodmoor Studios » Thu Jul 15, 2010 11:13 pm. € 825. And it looks a bit different too. I apologise in advance for any chronological errors or omissions, and welcome corrections and/or additional details. AKG C414 which is best general purpose - XLS or XLII ? The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. There is a belief that AKG C414EB’s incorporated the classic ‘brass’ capsule, but this was not always so. by BenLD » Mon Jun 21, 2010 8:47 am I have the XLS which I bought specifically as a general purpose instrument mic with a flat response, and it has proved to be very useable in most situations - and … +1 for the XLS -- much more usable generally. The AKG C414 XLII Reference multipattern condenser microphone reproduces the sound of the classic AKG C12. ... AKG C414 XLS comparison - Male Voice. I bought a couple and have kept them unused in my cupboard of delights ever since – one of the pair is still in a sealed box. I don't know about the US market though. The C414 XLII has a choice of nine polar patterns which makes it perfect for capturing a wide range of recording applications. I’m fortunate enough to own most variants of the C12 and its successor, the C414, so photos and opinions are based on my own collection. its from the gearslutz classifieds. The purpose of this brief article, however, is not to review or praise the C12, but rather chart it’s development over the years. ... Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). Goodness knows why I did that – I guess I’m just a sad old AKG microphone fanatic. This microphone was soon accepted as the standard studio and broadcast mic. Im in the UK. When you buy products through links across our site, we may earn an affiliate commission. The AKG C414 XLII/ST matched pair of multipattern condenser microphones reproduces the sound of the classic AKG C12. Anyone got any preferences? PLEASE NOTE – the mic illustrated has the optional rubber suspension rather than the cone-shaped connector. I have a lovely AKG C12, but if anything I prefer the sound of my C12A – it has all the warmth and sparkle traditionally associated with a C12, and which gives a mid-range presence than no Neumann can match (except the best M49s). AKG C12 (1953) Large diaphragm tube condenser. However, we did see the return of the DC/DC converter for polarising the capsule.”. Ernst Pless started producing loudspeakers and microphones in 1945 in the ruins of Vienna after the Second World War. The C414 XLII is the successor of the famous C414 B-TL II. Looking just like a black/matt version of a AKG C414EB, the C414B-ULS offered better performance figures and reliability, than the AKG C414EB-P48. AKG C414 XLII Review: Conclusion. We noticed that you already have spare parts in your cart. The C12A also utilised an external power supply which was fitted with a pattern switch. © 2020 Harman International Industries, Incorporated. TELEFUNKEN ELAM 250/251 Large diaphragm tube condenser. All rights reserved. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents.
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